Is There Something Wrong With Me!

How is it that writers can sit down in front of a blank page and two years later find that they have a 300-400 page novel on their hands? I have talked to writers about this but no one can give a satisfactory answer how this comes about.

In writing FEAR the idea started by looking at a drop of water falling from an icicle. Ninety thousand words resulted. Damn if I know how it happened. Maybe I need help!

Lots of other writers must have similar experiences. It would be great to share. What is it that triggered the start of as novel for you?

Comments welcome.

Patrick.

Writing – Where Does It Come From?

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On a number of occasions I have been interviewed on writing. Always the question arises – where does the writing come from?
Others have told me that they too have had the same question put to them. And, I suppose, it should be no surprise. It is the most fundamental questions for writers:how can someone sit down with a blank page and two years later have 400 pages of a story?

Some claim that they write nothing for months until the story is fully formed in their heads. At that point they go off to a solitary location and write with fury, producing the story in a matter of Amazon weeks. I suspect this way of approaching writing is rare. You may not agree.

Others claim that they rough-out a detailed structure and a description of all characters before they attempt to start on ‘the real thing’. This approach has never worked for me.

I suspect, for most of us, we simply sit down and start to write page after page of pure rubbish. But, out of this, ideas begin to form and finally harden into the possibility of a story. This act of ‘rubbish’ writing seems to be essential to get traction going under a story. At least, to writers that I have talked to, that appears to be the way for most of them.

In the writing of the thriller – Water Worms – half an idea formed for me while looking at a single drop of water dropping from the end of an icicle. Two years later I had a story of 280 pages. Maybe I need help!

So, don’t pass up the possibility of a ‘situation’ that might lead to a story. It might be a bag of money found on the side of a road or six people trapped by a snow storm in a house. Grab at it and write page after page of ‘rubbish’ until clarity, in what you are attempting, comes into clearer focus.

I hope that something here might help those who are now experiencing writer’s blockage. One or two of these ideas might help to clear away the log jam and get the pen moving again. At least I hope so.

Comments would be welcome.

BEST REGARDS – Patrick
(contact@pmccusker.com)

Amazon
Amazon

Irish Writers and tax exemptions.

ARTIST TAX CONSIDERATIONS IN IRELAND.

Revenue is recommending the abolition of tax exemptions for artists. One of the reasons that is stated for this is pressure from Europe because such tax considerations breached EU guidelines.

Few writers in Ireland make a living from their work. Removal of this tax consideration will make matters worse. The original idea in setting up this tax advantage was to give assistance to ‘creative’ artist: this was shamefully re-interpreted over the years to allow a ragbag of autobiographical works by many politicians and sports stars to avail of the tax break. What had been a wonderful and imaginative idea, at its inception, degenerated into farce. And now threatens the livelihood of genuine ‘creative’ artists.

So what might be done?

If the EU sees this artistic exemption to be out of line with European thinking then the Irish government will see to its removal. Yet, the government puts great emphasis on the creative talents of its people at every occasion when it speaks abroad. So, if this talent is to be encouraged what might be done when the tax exemption is no more? I can only offer a view for the benefit of writers in this. (Artists in other areas of work might wish to raise their voices in similar manner.)

One thing that the government might consider in the way of helping writers, when the tax arrangements are abolished,is to arrange through the Arts Council six NEW, and SUBSTANTIAL, creative writing competitions per year. Two of these might be for novels, one published and one unpublished, and two for short stories and the remaining two for poetry. In all of these cases the prizes should be considerable to focus the best efforts of writers, and to offer them a meaningful financial assistance for what they do.

This can be done – it simply needs government lateral thinking to make it happen. This process will get by the EU regulations on the tax issue and make again money available to genuine creative writers.

I offer this as a suggestion to all writers in Ireland to consider. I am not suggesting that this is a perfect solution, and will not help a large number of artists, but it will get by the EU concerns and get the government off the hook in that regard.

You might wish to make comment on this, whether you agree or disagree, or have a totally different idea on what approach we might take. Comments can be left on my blog or on my website – contact@pmccusker.com

We need, together,to reach a consensus on a suitable response to government on this. If we do nothing – we will have no cause to moan.

Patrick.